Ephrastic April, Day 30: "Figures on the Sand, Annisquam, 1915"

We're ending Ekphrastic April at the beach. I hope to see you next year for another month of ekphrastic cherita. Stay home and stay safe.

"Figures on the Sand, Annisquam, 1915" (1915) by Elizabeth Wentworth Roberts [1871-1927].

April afternoon

promises of summer
...but only promises

we still need to walk
through the shadows
before we reach full sun


© Diane Mayr, all rights reserved.

Ephrastic April, Day 29: "Young Girl in Front of a Window"

"Young Girl in Front of a Window" (1930) by Suzanne Valadon [1865-1938].

window opens wide

life on hold for too long
she will get out
of her rumpled pajamas

toss the paper flowers
and walk among the living


© Diane Mayr, all rights reserved.

Ephrastic April, Day 28: "Ruth St. Denis"

"Ruth St. Denis" (1910) by Alice Pike Barney [1857-1931].

not trusting in
the brilliance of talent

the dancer fails to
let herself shine
preferring tricks of light

with rhinestones


© Diane Mayr, all rights reserved.

Artist, Alice Pike Barney, captured the spirit of modern dancer Ruth St. Denis. If you think the costume she was painted in is overly bejeweled, look below to see some contemporary photographs of St. Denis.

Ruth St. Denis in Radha (1906), NYPL Digital Collections, Denishawn Collection.

Ruth St. Denis in first costume for Radha. Bust portrait. (1904), NYPL Digital Collections, Denishawn Collection.

Ephrastic April, Day 27: " Young Woman with a Pipe"

"Young Woman with a Pipe (Portrait of Andrée Vaurabourg)" (1920) by Alice Bailly [1872-1938].

after a lesson

a piano teacher
can't be faulted
for picking up a pipe

it may be the only thing
between her and murder


© Diane Mayr, all rights reserved.

Ephrastic April, Day 26: "Coffee Time"

"Coffee Time" (1916) by Elsa Backlund-Celsing [1880-1974].

fresh brewed and cooled
with twice as much milk,
sugared with a heavy hand

then served with cakes
cookies and laughter

coffee time


© Diane Mayr, all rights reserved.

Ephrastic April, Day 25: "Assisi"

"Assisi" (circa 1883-1910) by Annie Louisa Swynnerton [1844-1933].

the fact that birds
can fly even higher
than the fortifications

of Assisi

must have given Francis
hope for man's soul


© Diane Mayr, all rights reserved.

Ephrastic April, Day 24: "Pansies"

"Pansies" (1919) by Jacqueline Marval [1866-1932].

perennial

pansies are guaranteed
to arrive each spring

if nothing else is
available to make you smile
head to the garden


© Diane Mayr, all rights reserved.

Ephrastic April, Day 23: "A Cup of Tea in Holland"

"A Cup of Tea in Holland" (1902) by Anna Richards Brewster [1870-1952].

please sit down

just for a moment
while I drink my tea

let me remember
when I was young like you
and still had a friend


© Diane Mayr, all rights reserved.

Ephrastic April, Day 22: "The Lonely Refugee"

"The Lonely Refugee" (1921) by Susan Ricker Knox [1874-1959].

"wear a red babushka

otherwise how will
he know you?"

did she even ask
if I wanted to be known
by a stranger?


© Diane Mayr, all rights reserved.

Ephrastic April, Day 21: "Woman in Black Dress"

"Woman in Black Dress" (1923) by Tamara de Lempicka [1898-1980].

I can't help myself

I want to run to the woman
in the black dress

I want to tell her, "Stand
up straight and tall--show
the world you're worth it!"


© Diane Mayr, all rights reserved.

Ephrastic April, Day 20: "Farmhouse and Car"

"Farmhouse and Car" (1933) by Prudence Heward [1896-1947].

nothing was ever
quite level or square

but curtains crisp
and freshly washed gave
the house a warmth

recognizable as home


© Diane Mayr, all rights reserved.

Ephrastic April, Day 19: "Flock of Geese"

"Flock of Geese" (circa 1883) by Elizabeth Nourse [1859-1938].

April dusk

a twisting skein
of latecomers to this
novel spring

their back and forth:
safe--not safe

© Diane Mayr, all rights reserved.

Ephrastic April, Day 18: "Woman with an Umbrella"

"Woman with an Umbrella" (1880) by Marie_Bracquemond [1840-1916].

rain showers

nearly every day
--April is like that

find a pink umbrella
and the rain will seem
a little less daunting


© Diane Mayr, all rights reserved.

"Woman with an Umbrella" appears to be a study for Braquemond's "Three Ladies with Parasols" (a.k.a. "The Three Graces"), also 1880. I prefer the study as it has an appealing lightness that I don't find in the painting.

Ephrastic April, Day 17: "Prattling Primrose"

"Prattling Primrose" (1873) by Sophie Gengembre Anderson [1823-1903].

my little prattler
from morning til evening

she comments and questions

with the sun setting later
my evening glass of wine
grows fuller each day


© Diane Mayr, all rights reserved.

Ephrastic April, Day 16: "Secretly"

"Secretly" (circa 1877-78) by Eva Gonzalès [1849-1883].

they think I'm practicing
and leave me alone

for a few moments
I delve into words
that have aroused much ire

among the less passionate


© Diane Mayr, all rights reserved.

Ephrastic April, Day 15: "Lilacs in a Window"

"Lilacs in a Window" (1880) by Mary Cassatt [1899-1947].

in her pictures of mothers
and their children

a tenderness

in her "Lilacs in a Window"
the addition of the fragrance
of May gardens


© Diane Mayr, all rights reserved.

Ephrastic April, Day 14: "Man with Flock of Sheep"

"Man with Flock of Sheep" (1910) by Marianne von Werfkin [1860-1938].

the warm days
too quickly gone

time to head home
where who knows what
is in store

perhaps a pot of stew


© Diane Mayr, all rights reserved.

Ephrastic April, Day 13: "The Threshold"

"The Threshold" (1913) by Florence Carlyle [1864-1923].

they call me Bird

the name is fitting
on today of all days

freedom or security--
in front of a bay window
the decision is easy


© Diane Mayr, all rights reserved.

Ephrastic April, Day 12: "Easter Brings the Budding Spring"

"Easter Brings the Budding Spring" (date unknown) by Fidelia Bridges [1834-1923].

no Easter Bunny
deliveries this year

chocolate will not
be missed as long as
the sun shines

spring 2020


© Diane Mayr, all rights reserved.

Ephrastic April, Day 11: "Still Life with Bowl of Citrons"

The cherita is based upon the life of the artist who was proud of her decision to remain single.

"Still Life with Bowl of Citrons" (circa late 1640s) by Giovanna Garzoni [1600-1670].

"Chaste Giovanna"

my choice to remain a virgin
affords me many advantages

the name bothers me not--
besides, what man wants a woman
who is perfumed with paint?


© Diane Mayr, all rights reserved.