Over the past month, I've been distracted (and distressed) by hearing of the separated immigrant families on our southern borders. It got me to thinking about the Statue of Liberty, and our nation's earlier responses to immigration. I decided to use the Statue of Liberty as my topic for the postcard exchange. (The selection of a topic is not a requirement of the exchange but is merely a way for me to corral my thoughts.)
I completed my four postcards and had a poem left over to use today. It is a bit political, so be forewarned.
Pictures of Liberty
gathered to re-create
a harbor statue
in human flesh.
Liberty had to be sold
to those already free.
thousands of families
cross borders pursuing
a promise of liberty
in the flesh.
Liberty did not need
selling—she sold them out.
Here is the photo that inspired this particular poem:
Human Statue of Liberty; 18,000 officers and men at Camp Dodge, Des Moines, Ia.; Col. Wm. Newman, commanding; Col. Rush S. Wells, directing," Mole & Thomas, photographers, courtesy Library of Congress.
The photo was taken a century ago and had been planned for use in raising money to support the U. S. in its war effort. (It turns out not to have been used after all.) The arrangement had to have been well-thought-out and well-executed. It took 18,000 officers and men to complete.
We can't identify individuals, but we can almost guarantee there were no people of color in the shot. There were certainly no women! First generation immigrants? Who knows, but I doubt many.
Today, of course, a photo would include people of color, women, and immigrants. Sad to note, though, some members of the military who joined because they were offered a path to citizenship, have been discharged recently.
The four postcards I sent will be posted here on August 3. I want to give them time to arrive at their destination before making them viewable by Poetry Friday peeps.
Heidi is hosting the Poetry Friday Round-Up at My Juicy Little Universe. She's also going to tell us about The Poetry Foundation's Summer Poetry Teachers Institute she attended in Chicago!
Such a poignant poem, Diane. Your use of juxtaposition between then and now says so much so succinctly.ReplyDelete
Thank you, Sally.Delete
Oh, wow. Sally's word "juxtapose" is the perfect one. I'm always in awe at the pictures you find, and then what you make with/inspired by them!ReplyDelete
I love the Library of Congress digital collection of photographs. Our tax money at work in one of the best ways--enlightening us and helping us understand our history.Delete
Ditto on what Sally and Mary Lee said. In addition, your research provided another level of information I did not know. Thank you for sharing the back matter to your poem, Diane.ReplyDelete
Curiosity is a driving force for me, Carol.Delete
I'm amazed you found this photo and serendipitously this event took place 100 years ago. Strong poem Diane–I'm glad you wrote it and shared it with us.ReplyDelete
Aren't we lucky that photography existed back then and that the photographers put themselves in a position where they could capture the scale of it.Delete
Incredible photo, in the literal sense! I feel like it should be a lot more famous. I love the turns you make with "in the flesh," but I feel conflicted about "she sold them out." I feel like Liberty the statue, Liberty the symbol, is blameless--I NEED for her to stand unstained by the actions of mere humans. Looking forward to your SPARK poems....ReplyDelete
Of course, you're right, Heidi, but some days the blame is so widespread that Lady Liberty has to stand in.Delete
Those last two lines, how well they capture where we seem to be at the moment, under this current "leadership". That's a fascinating photograph, too.ReplyDelete
Powerful photograph and response poem, Diane. Thanks for sharing. I look forward to seeing the others once they've been appreciated by their recipients.ReplyDelete
So sad to see liberty sold out and ignored and forgotten. :-(ReplyDelete